The important thing for the remembering author is not what he experienced, but the weaving of his memory, the Penelope work of recollection. Or should one call it, rather, a Penelope work of forgetting? […] And is not his work of spontaneous recollection, in which remembrance is the woof and forgetting the warp, a counterpart to Penelope’s work rather than its likeness? For here the day unravels what the night was [sic] woven. When we awake each morning, we hold in our hands, usually weakly and loosely, but a few fringes of the tapestry of a lived life, as loomed for us by forgetting. However, with our purposeful activity and, even more, our purposive remembering each day unravels the web and the ornaments of forgetting.
—Walter Benjamin (Illuminations, ‘The Image of Proust’, p.202)