There are moments when in connection with the sensitively imaginative or morbidly anachronistic—the mentality assailed and the same time not of any great strength and the problem confronting it of sufficient force and complexity—the reason not actually toppling from its throne, still totters or is warped or shaken—the mind befuddled to the extent that for […]
Time passes with a measured and memorable wing during the first period of a sojourn in a new place, among new characters and new manners. Every person, every incident, every feeling touches and stirs the imagination. The restless mind creates and observes at the same time. Indeed there is scarcely any popular tenet more erroneous […]
derring-do among the philologists
a few remark’s on Tatyana Tolstaya’s dystopian novel, The Slynx.
Charles Reade, under the banner of imagination, departs from everyday life to parts unknown.1 Charles Reade shows up in Jean Strouse’s biography of Alice James: Her improving health allowed Alice to enjoy a greater range of intellectual life than before. She went to the theater […] and she was reading a great deal, particularly the […]
Like everything that had to do with him, the narration of his past depended on a complex alchemy of humors, climates, and correspondences, and only when it had been fully achieved would the floodgates of his memory open, launching him into long recollections that did not take into account either time or the disposition of […]
In his ‘History of Ancient Art,’ of which the first edition appeared in 1764, Winckelmann gave to the study of the antique an impulse along a line which it has never wholly deserted; his theory of the ‘beautiful’ as manifested even in these Græco-Roman copies to which his imagination often added too freely the missing […]
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