Saw a double herm of Epicurus and Diogenes the Cynic at the Museo Capitolino, which pleased me much in my soul. At the Palazzo dei Conservatori, saw a herm of Alcibiades, which I thought particularly appropriate and a Roman statue of a toga’d man holding a scroll, whose expression was wonderful, though ineffable. Later — […]
More and still more work in the library, reading about god and trying to comprehend Epidauros, which just leaves me muddled. I find it frightfully confusing that there were at least four different (?) artists called Polykleitos working in the Greek world during the late fifth and early fourth centuries BC; it just shouldn’t be […]
the room of Chinese paintings.
Such dim-conceived glories of the brain Bring round the heart an undescribable feud; So do these wonders a most dizzy pain, That mingles Grecian grandeur with the rude Wasting of old Time—with a billowy main— A sun—a shadow of a magnitude. – John Keats (‘On Seeing the Elgin Marbles’) Allow me to sound heartless for […]
IKB # ?1 Link rotted; substitute information; and this might also be helpful or interesting
On the edge of a distant district, down an obscure boulevard, he kept a small studio crammed with charming antiques and valuable paintings. Though he did not much like to talk about it, he was extremely talented both at the exact replication of important pieces of art and the stealthy exchange of his copies for […]
These people have excellent sculptors and professional designers. Their pipes, tomahawks, sticks, spoons carved out of horn, etc., embellish our ethnographic collections. – Marcel Mauss (2004.11, p. 43f.)
The hand press printer should make his own ink, as the painter should make his own paints. Ink is not a raw material. Oils and pigments are the raw material of ink; patience in grinding is the only virtue required in the craftsman. Of patience there is this to be said. To be patient is […]
‘Plate 28: two figures, one composed with a bell the other with a knife-grinder’ by Giovanni Battista Bracelli, in Bizzarie di varie figure … 1624
The inconstant reader. … I reminded him how often we had talked about my travels on the five continents and sixteen seas, and my inability to stay very long in one place. Although I was living peacefully in Pollensa, there was not guarantee it would be permanent. – Álvaro Mutis (Triptych on Sea and Land, […]
In his ‘History of Ancient Art,’ of which the first edition appeared in 1764, Winckelmann gave to the study of the antique an impulse along a line which it has never wholly deserted; his theory of the ‘beautiful’ as manifested even in these Græco-Roman copies to which his imagination often added too freely the missing […]
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