As the orchestra is warming up and the actors are completing their
pre-show gargling, there is doubtless time for an introduction. Just as
every story needs a preface, a truly erudite narrative simply cannot do
without an introduction. The introduction gives some pompous literary windbag
the chance to rattle on at length about aspects of the structure and
symbolism that no one cares about, least of all himself. Or, as in the
present instance, an introduction gives the author a second chance to
apologize for the inadequacies of the work, or pay a friend to do so instead.
But here we shall end, as it is always ominous if the introductory material
is of greater length than the story itself.